Yann Martel’s Beatrice and Virgil is a deceptive piece of creative writing. It begins with the rejection of an author’s new work on the holocaust by his publishers. He revels in his misery and becomes angry with the publishers for their inability to understand his work. He finally learns how to come to terms with his failure. The description that follows traces the mental journey he takes from desolation to anger and finally a draining out of all emotions. The last line is a great motivational thought.
The
A moment came when the tense muscles twitching in Henry’s body and the emotions seething inside him came together and spoke in unison: with his fists clenched in the air, he lifted a foot and stamped the ground with all his from his throat. He hadn’t consciously decided to act out like this. It just happened, a snap expression of hurt, fury and frustration. He was near a tree, the soil-stamping was and bare, and the impact of his foot-stamping was thunderous. It was a giant tree, a galleon with its sails in full rig, an art museum with its entire collection on display, a mosque with a thousand worshippers praising God. He gazed at it for several minutes. A tree had never before been so soothing to him. As he admired it, he could feel the anger and distress draining from him.
After an hour or so, he made his way to the edge of the park. A sign informed him he was in
A stroll in a
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